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Zvi Howard Rosenman - short biography and CV
Zvi Howard Rosenman was born in
Brownsville, Broooklyn, in
New York
State on February 1, 1945. Mr. Rosenman began his career working on
Broadway for Katherine Hepburn and Sir Michael Benthall, who was directing Miss
Hepburn in the Andre Previn musical of “COCO”, the story
of Coco Chanel, in 1968. He also assisted Mr. Benthall when he
directed “I’M SOLOMON” with Dick Shawn, Carmen Mathews and Salome Jens. “I’M
SOLOMON” was based on the Israeli play “SHLOMO HA’MELECH VE’SHALMAI HA’ SANDLAR”
which played in Jaffa in August of
1967. Mr. Rosenman
saw the play in
Israel that
summer, after having volunteered in the Six Day War of 1967, as an
extern. Ernest Gold,
who composed the score for the movie “EXODUS,” wrote the
score. Mr.
Rosenman’s first job in show business was as a “gopher” on a documentary that
Mike Mindlin produced, called “JOURNEY TO JERUSALEM,” chronicling Leonard
Bernstein conducting the Israel Philharmonic Orchestra for the Israel Defense
Force (TZAHAL) soldiers in Judea and Samaria in July of 1967. Maestro Bernstein met Mr. Rosenman, as
a volunteer during the Six Day War, and offered him the job, after recognizing
Mr. Rosenman as his waiter at Sybil Burton’s discotheque ARTHUR in New York,
where Mr. Rosenman worked, serving the celebrity table in the Winter and Spring
of 1967, to make extra money for his medical school
studies.
Mr. Rosenman was also Mr. Benthall’s
assistant on “HER FIRST ROMAN” starring Richard Kiley and Leslie
Uggams. In that year
he also worked on the movie, “THE TREE,” as a driver and "gofer," a small
independent black and white film, directed by Robert Guenette, starring Eileen
Heckart, George Rose, Ruth Ford and Jordan Christopher. He soon became a Producer of Television
Commercials at Benton and Bowles where he won many Clios for such accounts as
Cool Whip, Cool ‘n Creamy, Texaco’s Havoline Oil, Pampers, Vick’s Nyquil and
Prell Shampoo.
Mr. Rosenman went to
Hollywood in 1973 where he produced
a TV movie for ABC under the aegis of the legendary film unit created by Barry
Diller and run by Michael Eisner and Deanne Barkley. Mr. Rosenman, along with Ron Bernstein,
then founded RSO Films with Robert Stigwood, brought Ms. Barkley into the
company, where they made many Movies of the Week for
Television. Among them
were the first movies of John Badham (“ISN’T IT SHOCKING?”), Randall Kleiser
(“ALL TOGETHER NOW”) and Joel Schumacher (“VIRGINIA HILL”). In those movies he worked with Harvey
Keitel, Gloria Swanson, Alan Alda, Louise Lasser, Kate Jackson, Edward Albert,
Jr., Ruth Gordon, Robbie Benson, John Rubinstein, Raul Julia, Tina Louise, Lucie
Arnaz and the first appearances on television of Helen Hunt and Dyan
Cannon. He produced
“DEATH SCREAM” a back-door pilot for Raul Julia, for ABC, based on the famous
murder of Kitty Genovese on the streets of New York
City.
In 1976, he went to Warner Brothers and
produced “SPARKLE,” written by Joel Schumacher and starring Philip Michael
Thomas, Irene Cara, Dorian Harewood and Lonette McKee. This was the first appearance of each
of these actors in a movie. He then formed a company with Renee
Missel and together they developed, and were the Executive Producers on “THE
MAIN EVENT,” starring Barbra Streisand and Ryan O'Neal and directed
by Howard Zieff. The album of the movie sound track
became a huge hit, especially the song "THE MAIN EVENT" written by the
Oscar-winning duo, Paul Jabara and Bruce
Roberts. In 1978,
through a deal at Universal Pictures, Ms. Missel and Mr. Rosenman
produced
“RESURRECTION” starring Sam Shepard, Ellen Burstyn, and Eva Le Gallienne,
earning the respected actresses
Academy Award nominations for Best
Actress and Best Supporting Actress,
respectively. The film was directed by Dan Petrie.
Following that, he produced “LOST
ANGELS,” based on a draft of Hilary Henkin's “LUNATICS,” directed by Hugh
Hudson, starring Donald Sutherland and Adam Horovitz, of Beastie Boys fame, for
Orion Pictures and Vestron. Based on his own years in medical
school, Mr. Rosenman produced “GROSS ANATOMY,” written by Ron Nyswaner, starring
Matthew Modine, Christine Lahti and Daphne Zuniga, at the beginning of Michael
Eisner's and Jeffrey Katzenberg's winning streak at the newly reconfigured
Disney at Touchstone Pictures.
Also at Disney, he developed several
movies, which he took with him to Sandollar Productions, where he served as
Co-President with Carol Baum. He Executive Produced the acclaimed
documentary “COMMON THREADS: TALES FROM THE QUILT,” which won both an Academy
Award for Best Documentary and a George Foster Peabody Award for Outstanding
Journalism. “COMMON
THREADS” was written and directed by Jeffrey Friedman and Rob Epstein, who also
directed the acclaimed Oscar-winning documentary “HARVEY
MILK.” Mr. Rosenman,
with Ms. Baum, also produced “TIDY ENDINGS” starring Harvey Fierstein (based on
the last act of his Broadway play “SAFE SEX”) and Stockard Channing for
HBO. “TIDY
ENDINGS” garnered four ACE Awards, including one for Best Dramatic or Theatrical
Special.
At Sandollar, Mr. Rosenman, with Ms.
Baum, also produced “SHINING THROUGH,” based on the best selling novel by Susan
Isaacs, for Dawn Steel at Columbia Pictures, starring Melanie Griffith, Michael
Douglas and Liam Neeson; written and directed by David
Seltzer. In
succession, he produced “STRAIGHT TALK,” starring Dolly Parton at Touchstone,
and with Propaganda Films produced “A STRANGER AMONG US,” starring Melanie
Griffith and directed by Sidney Lumet, for Touchstone. “TRUE IDENTITY,” starring Lenny Henry,
was Mr. Rosenman’s next movie, again for Touchstone. He then went on to make
“FATHER OF THE BRIDE,” starring Steve Martin, Diane Keaton and Martin Short for
Touchstone Pictures followed by Joss Whedon's “BUFFY THE VAMPIRE SLAYER,”
starring Kristi Swanson and Luke Perry, for Twentieth Century
Fox. “BUFFY THE
VAMPIRE SLAYER” was not only a huge hit television series produced by Fox for
the Warner Brothers Network, but a cultural phenomenon, as
well.
In 1993, Bernie Brillstein and Brad
Grey asked Howard Rosenman to run their fledgling motion picture
company. At
Brillstein-Grey Entertainment, he became President of Motion Pictures, and again
served as the Executive Producer on Rob Epstein and Jeffrey Friedman's next
documentary, Vito Russo's “CELLULOID CLOSET,” based on his landmark book, which
was immediately invited to debut in the
U.S. at the
prestigious New York Film Festival. Russo's “CELLULOID CLOSET” played at
the Venice Film Festival, the Toronto Film Festival, the London Film Festival,
the Jerusalem Film Festival, the Berlin Film Festival, the Thessaloniki Film
Festival, Robert Redford's Sundance Film Festival and the Prague Film
Festival. Because of
the great reception accorded “CELLULOID CLOSET” at all of the above mentioned
Film Festivals, SONY CLASSICS distributed the film
theatrically in March of
1996. In an
unprecedented departure for HBO, the movie played on HBO for one night, as a
national sneak preview, on January 30, 1996, before its’ theatrical
release. It then ran
on Cinemax for a month after its' theatrical and video
releases. “CELLULOID
CLOSET” garnered five EMMY nominations, one of them for the prestigious
PRESIDENT’S AWARD, awarded for a Made-for-TV-Movie, television series (whole
series or individual episode), miniseries, animation or informational program in
prime time that best explores social or educational issues and encourages and
promotes, directly or indirectly, changes that help society to become familiar
with - and more effectively deal with - the situation. “CELLULOID CLOSET” also won a George
Foster Peabody Award for Outstanding Journalism.
While he was at BGE, in less than two
years, Mr. Rosenman put more than twenty projects into development at the major
studios. Mr. Rosenman
and Brillstein-Grey Entertainment are now partnered, and will produce together,
the projects they developed while Mr. Rosenman ran BGE Motion
Pictures. Mr. Rosenman
then made an over-all first-look deal with Columbia
Pictures.
At Columbia Pictures, BGE and Mr.
Rosenman are working on several motion pictures. These include: “AMERICAN NEUROTIC”
written by Jon Tolins, Seth Bass, Randy Mayem Singer, Michael White and Steve
Chboskey (“RENT”). Jim Carey has committed to play the
lead, with Anthony Hopkins committing to play the psychiatrist, and Kate
Beckinsale the romantic interest. Tolins & Bass are re-writing the
screenplay. Sid Ganis of
Blue Sky Productions is co-producing with Revolution
Pictures.
“FAMILY MAN” produced by Mr. Rosenman
was released Christmas 2000 (December
17, 2000). His partner was Beacon Pictures and the
screenplay was written by David Diamond and David Weissman, with Tony Ludwig and
Alan Riche co producing along with Mr. Rosenman. Brett Ratner (“MONEY TALKS”; “RUSH
HOUR”) directed. Nicolas Cage, Tea Leoni, Jeremy Piven,
Amber Valletta, Paul Sorvino, Don Cheadle, Josef Sommers and Mary Beth Hurt
starred. The movie
started principal photography in New
York on November 22, 1999 and just finished Principal
Photography. Dante
Spinotti (“THE INSIDER”; “LA CONFIDENTIAL”) was the
Cinematographer. Kristi Zea (“CASINO”) was the
Production Designer. Betsy Heiman did the
costumes. Andy Davis
line produced. Matt Barry & Nancy Green-Keys
(“MONEY TALKS”; “RUSH HOUR”) cast the movie. Marc Abraham and Armyan Bernstein are
the executives at Beacon, who financed the picture. Marc Abraham produced along with Riche,
Ludwig & Rosenman. Universal Pictures distributed.
Mr. Rosenman Executive Produced the
documentary “BOND GIRLS ARE FOREVER” for AMC with MGM. James Watkins and Eamon
Harrington of Planet Grande Pictures directed. It aired on the night of November 6th,
2002 on AMC. Maryam D’Abo narrates, stars in and
produced.
Mr. Rosenman’s next movie is “NOEL” by David
Hubbard. A Christmas
story about four alienated, lonely people whose lives intersect on Christmas Eve
with each experiencing a true miracle. It’s a post-modern take on “IT”S A
WONDERFUL LIFE.” Susan Sarandon, Robin Williams, Paul Walker, Penelope Cruz, Dan
Sunjata, Alan Arkin and Chazz Palminteri are set to star in this $8.5 million
independent feature. Chazz Palminteri the noted actor who
also directed “WOMEN & MEN” for Showtime, is directing. The movie is being financed by Al
Corley and Bart Rosenblatt’s Neverland Films. The movie will be going before the
cameras November 10, 2003
in Montreal and
NYC.
Mr. Rosenman, BGE and Andy Licht and
Jeff Mueller are producing “CAT AND MOUSE,” at Twentieth Century Fox, a comedy
combining live action and animation in an original and wry
mixture. The
screenplay was written by Neil Tolkin, and bought by Tom Rothman at
Fox. Vanessa
Morrison, at Fox, is the executive in charge. Karey Kirkpatrick (“CHICKEN RUN”) just
rewrote the draft and the movie is expected to start pre-production in the Fall
of 2003. Kevin Lima
(“101 DALMATIANS”; “ELOISE AT THE PLAZA”) is set to
direct.
Mr. Rosenman is also producing “THE
MONSTER OF LONGWOOD” starring Al Pacino as Napoleon. Storyopolis (Paul Allen’s film company)
acquired Staton Rabin’s book “BETSY AND THE EMPEROR.” Rebecca Belfield wrote the first draft
and Jean Claude Carriere wrote the next one and Michael Tolkin (“THE PLAYER”)
wrote the third draft. Paul Auster is currently rewriting with Mr.
Chereau. The
distinguished French director Patrice Chereau (“LA REINE MARGOT”; “L’HOMME
BLAISE”; “INTIMACY”) is directing. “INTIMACY” won the Golden Bear at the
Berlin Film Festival. Colleen Camp and Fonda Snyder are co-producing.
Mr. Rosenman and Ms. Baum sold “PARK AVENUE GHOST” to Bob
Weinstein, Michael Zoumas and Robbie Brenner at Dimension
Films. Peter Wortman
and Bob Conte (“DUDLEY DORIGHT”; “LA CHEVRE”) wrote the first draft. LL Cool J
and Rupert Everett are attached to star.
Mr. Rosenman sold “ON EAGLES’ WINGS,”
the story of the formation if the Israeli Air Force by several rakish American,
Canadian and Israeli young men, in 1947. ImageMovers’ Jack Rapke and Bob
Zemeckis’s company bought the project at DreamWorks. Dan Gordon wrote the first several
drafts. We are currently looking for a director. Dan Gordon (“HURRICANE”) wrote the
first two drafts. Steven Spielberg is attached as a
Producer as are Jack Rapke, Steve Starkey and Bob Zemeckis along with
myself.
Mr. Rosenman is also developing
“WHISPERS” by Gerald DiPego (“PHENOMENON”; “ISHMAEL”; “MESSAGE IN A BOTTLE”)
& John Herzfeld (“TWO DAYS IN THE VALLEY”; “THE DON KING STORY”), based on
the beloved Irwin Shaw short story “WHISPERS IN BEDLAM.” This project was just
set up at Universal Pictures with Tom Jacobson’s company also
producing. Steven Falk
(“THE PROM”) is writing.
Mr. Rosenman and Ms. Baum sold “TEN
GOOD MEN,” a mystical action thriller. Wolfgang Petersen’s new company, Red
Cliff, is developing the material. The first draft of “TEN GOOD MEN” was
written by Douglas Cook & David Weisberg (“THE ROCK”) and will be
co-produced with Wolfgang Petersen (“IN THE LINE OF FIRE”; “AIR FORCE ONE”) and
Gail Katz. Wayne Beech (“1600 PENNSYLVANIA
AVENUE”; “SLOW BURN”) is writing the next draft.
Mr. Rosenman and Ms. Baum also have
“CRIM LAW” in development. “CRIM LAW” is a thriller set in the highly
competitive world of law school. Steven Peters (“WILD THINGS”) is
writing the screenplay.
Mr. Rosenman is also developing
“FENWICK’S SUIT“ by David Small, a Farrar Straus Giroux book, published in
1997. The project
was brought to him by David Michaels. John August (“GO”; “A WRINKLE IN TIME”)
wrote the first draft of the screenplay. We are talking to Nickolodeon to
finance.
Mr. Rosenman and Ms. Baum also are
developing “GLORIA AND DORIA GRAY” to David Matalon at New Regency at Twentieth
Century Fox, an original story by Mr. Rosenman and Ms. Baum. This wicked high school gothic drama is
a riff on Oscar Wilde’s “THE PORTRAIT OF DORIAN GRAY” about two sisters, one
extremely popular, the other, her diametric opposite who makes a “deal with the
devil”. Ben Queen
(“ONE TRACK MIND”) wrote the first draft. We are currently looking for a writer
to re-write the draft. Kara Francis and Sanford Panitch are overseeing the
development of this movie.
“GHETTO FABULOUS!” with a first-draft
script by supermodel Veronica Webb, from an idea by Rosenman about a rising
singer and her ambitious and complicated relationship with a famous rapper who
is on his way down. Mr. Rosenman is producing. It will star
Eve. Mr. Rosenman,
as noted above, has a lot of experience with this genre as he was involved as
the producer of “SPARKLE”, Joel Schumacher’s first screenplay, which has since
gone on to become a classic about a trio of African American women singers in
the ‘50’s in Harlem. It, too, combined drama and
music. The Platinum
selling album’s score was written by Curtis Mayfield with Aretha Franklin
covering all the songs on the album.
Mr. Rosenman, Mr. Ahrenberg are
producing “LIFE OF AN HONEST MAN,” a comedic drama about a dysfunctional family,
based on the classic French movie by Sacha Guitry. Leon Capitanos (“DOWN AND OUT IN
BEVERLY HILLS”) wrote the first draft of the screenplay. Adam Brooks (‘FRENCH KISS”; “INVISIBLE
CIRCUS”) rewrote. We are co-producing with Hyde Park
Entertainment. We are looking for a new
writer.
“YOU & ME AND YOU”
aka “RUNAROUND
SUE” by Katherine Reback, is another project being produced by Mr. Rosenman This
movie is about a young woman, who is involved romantically with a father and his
son, without realizing that the two men are related. We are currently talking to
directors.
In addition to those projects, Mr.
Rosenman, along with producer Staffan Ahrenberg, have recently announced that
Joe Eszterhas is writing a cunning cat-&-mouse thriller called “TRAPPED” for
Andy Vajna’s Cinergi. It has previously been reported in the
press, that when the movie is made, Mr. Eszterhas will earn $5 million - the
single most lucrative writer’s deal ever made. John McTiernan (“DIE HARD”; “DIE HARD
3”; LAST ACTION HERO”; “ROLLERBALL”) is attached to direct. Doug Richardson is
rewriting.
Mr. Rosenman Executive Produced “MY
FIRST MISTER” by Jill Franklyn. Suki Chew and Ann Kurtzman, Carol Baum
and Jane Goldenring are producing. Bob Kurtzman co-Executive Produced with
Gerald Green of Total Films. Total Films’ Patricia Green &
Hannah Hempstead were involved in financing the production. Christine Lahti
directed. Albert Brooks
and Leelee Sobieski starred. Film Roman (“THE SIMPSONS”) was our
partner. The picture
started shooting on January 24,
2000. It was screened as the Premiere of the entire Sundance Film
Festival 2001, to great acclaim. Paramount Classics
distributed. It opened in
the Fall of 2001.
Mr. Rosenman also co-produced, with Mr.
Friedman, Mr. Epstein, Mr. Michael Ehrenzweig and Ms. Pam Cole, “PARAGRAPH 175,”
a documentary depicting homosexuals who were victimized and murdered by the
infernal Nazi machine. Rupert Everett
narrated. HBO funded
the documentary and it aired in the Spring of 2001. We are releasing the documentary
theatrically through Dan Talbot’s New Yorker Films. “PARAGRAPH 175” won the best directed
documentary at the Sundance Film Festival. It played the Berlin Film Festival sand
we screened the documentary in Tel Aviv,
Jerusalem and OUTFEST in
Los Angeles, to great acclaim.
Mr. Rosenman and Ms. Baum are also
producing “DOWNSIZING” at Paramount Pictures. Rob Cohen (“GREEN ACRES”; “AUSTIN
POWERS II”; “THE BETTE MIDLER SHOW”) wrote the movie. We are currently lookinhg for a new
writer. Mr. Rosenman
and Ms. Baum, along with Robert Evans and Cristine Peters, are going to produce
a movie inspired by “FOUL PLAY.” Jon Bernstein (“BEAUTIFUL”;
“VALLEY OF THE
DOLLS”) wrote the first draft and we are currently
looking for a new
writer.
Mr. Rosenman and Ms. Baum are involved
in producing “FAIRHOPE” by Anthony Di Pietro. Harold Becker (“ONION FIELDS”) is
directing and James Woods and Christian Slater are starring. Barry Katz and
Brian Volk-Weiss of Barry Katz Productions are producing with
us.
Mr. Rosenman and Ms. Baum are involved
in producing “GRACE AND KITTY” about the legendary relationship between Grace
Metallious and her mentor Kitty Messner, who published Ms. Metallious’s
Peyton Place. The notorious
book blew the lid off the conservative facade of her tiny
New Hampshire town when she
published the book, which became a gigantic best seller and put Grace Metallious
on the cover of TIME and NEWSWEEK. Our movie is the odd couple
relationship between the tough-talking Grace and her elegant, sophisticated
New York
editor. Sandra
Bullock is attached to star. The movie is set up at
Fox.
Mr. Rosenman and Ms. Baum are involved
in producing “SLAMMER.” We just st this up with Elaine
Goldsmith-Thomas at Revolution Films. Sarah Goodman is set to rewrite Tim
Metcalf’s draft. It’s “Private Benjamin goes to jail and puts on a Beauty
Pageant.” Sarah
Goodman is rewriting.
Mr. Rosenman is also putting together a
Broadway musical based on Anne Rice’s “THE SEVENTH SONG,” a treatment based on a
dream of Mr. Rosenman’s. Mr. Rosenman is currently speaking to several noted
Broadway musical directors, composers and
lyricists.
Mr. Rosenman is Co-Founder of Project
Angel Food in LA, which provides Meals-on-Wheels for terminally ill AIDS
patients, and has served on the Board of Directors of the AIDS ReSearch
Alliance, Bet Tzedek Legal Services, DIFFA, Youth Aids Services & the
Advisory Board of GLAAD.
He resides in Los
Angeles with Bernstein, his brilliant and peerless Boston
Terrier, and his three very articulate, and prolix parrots: Tucker, a
yellow-naped Amazon, and Butch and Feiden, a pair of African
Greys.
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